Today we continue our review and dialogue with James Lindsay, Race Marxism: The Truth About Critical Race Theory. In the two previous essays we defined and set forth CRT’s twelve central beliefs. In this essay, we will turn to the story of its origins. In Chapter Three, Lindsay uncovers “The Proximate Ideological Origins of Critical Race Theory” (pp. 87-158). The sheer number of authors, books, papers, and different movements covered in this long chapter is overwhelming. I will do my best to summarize it concisely, accurately and fairly. But I cannot help but oversimplify. There is another complicating factor I must mention. Attempting to discover and describe the origins of any historical phenomenon is fraught with many dangers. Among the most obvious are (1) the past is too complicated to describe completely and (2) historians, despite their best efforts, harbor their own prejudices.

The Two Main Sources

According to Lindsay, “Critical Social Justice Theories, including Critical Race Theory, arise from a deliberate fusion of Critical Theory (neo-Marxism) with postmodern Theory” (p. 89; emphasis original). This fusion was accomplished in the 1980s and 1990s, mostly in academia. At a minimum we need to understand the essential features of three things: Critical Theory, postmodernism, and the process of their fusion.

Critical Theory, Or Neo-Marxism

Karl Marx (1818-83) claimed to have discovered the true science of history. History began with the communism of tribal society and passed through two other forms of society until it arrived at capitalism. The capitalist system will inevitably reach a crisis point wherein the exploited workers will revolt and take over the means of production to institute socialism. Socialism will naturally transform itself into communism similar in form to tribal communism but now worldwide. That was the theory.

But by the 1910s and 1920s it had become apparent that something was wrong with Marx’s theory. Capitalism had raised the standard of living in Europe to the point that workers no longer felt themselves miserable and exploited. The workers had adopted what Hungarian Marxist György Lukács (1885-1971) called a “false consciousness,” that is, they thought they were free and happy when in truth they were enslaved and miserable. The neo-Marxists realized that the socialist revolution was not inevitable. They held on to the Marxist belief that capitalism was unstable, but experience had taught them its advance toward socialism was but one possibility. It could also slide into fascism. Hence, the neo-Marxists developed an agenda of “consciousness raising;” that is, a program to convinced people who are relatively satisfied with their condition that they were oppressed in ways of which they were not conscious.  Marxist theorist Max Horkheimer (1895-1973) named this new approach to revolution “Critical Theory” in his 1937 essay “Traditional and Critical Theory.”

For the process of consciousness raising to succeed, the “cultural hegemony” of capitalist society must be challenged. Marxists must pay attention to the places in culture where identity, consciousness, and values are formed. Italian Marxist Antonio Gramsci (1891-1937) named five cultural institutions that Marxists need to infiltrate to cultivate a “counter-hegemony,” that is, an alternative narrative favorable to Marxist revolution: religion, family, education, media, and law. Critical theorist Herbert Marcuse (1898-1979), in the 1950s and 1960s, despaired of awakening the satisfied American middle class to revolutionary consciousness. He looked instead to urban blacks, the unemployed, and university students to form the vanguard of a revolutionary coalition. In his books, A Critique of Pure Tolerance, Counterrevolution and Revolt, An Essay on Liberation, and One-Dimensional Man, Marcuse outlines an ideological strategy for completing the Gramscian project of creating a Marxian consciousness as a challenge to the dominant culture. Brazilian educational theorist Paulo Freire (1921-97), in his highly influential book, Pedagogy of the Oppressed, packages Critical Theory in a form designed to liberate students from their “false consciousness” and create in them a revolutionary consciousness.

Critical Social Justice theories, including CRT, incorporated neo-Marxism’s critique of capitalism and liberalism, its theory of false consciousness, its strategies of institutional infiltration and consciousness raising, and its ideal of communism—all while re-centering its social critique on race.

Postmodern Theory

Whereas Marxism and neo-Marxism critique the values and knowledge claims of liberal capitalist society in view of their own truth-claims about a truly just society (Communism), postmodernism debunks all truth claims and grand narratives—including Marxist—as expressions of power. They are in effect post-Marxist as well as postmodern. The most famous postmodern thinker Michel Foucault (1926-84) underlined the ideological nature of all knowledge claims by using the term “knowledge-power” whenever speaking about assertions of truth (p. 127).

Jacques Derrida (1930-2004) considered language a prison from which we cannot escape into truth. Words refer only to other words and can never take us to real things. For postmodern thought, linguistic expressions, culture, social order, and law are “constructions” created consciously or unconsciously to acquire or retain power. To the unknowing, these constructions have the appearance of truth, fact, and reality. Hence the task of postmodern criticism is to unmask, to “deconstruct,” these deceptive structures. All of them! Those trained to think in postmodern terms see a power play, a conspiracy, in every assertion of truth, value, or fact. In Lindsay’s words, “It isn’t clear that postmodernists had much interest in doing anything further than taking things apart and playing in the wreckage, however” (p. 132).

At this point we are left asking how CRT can benefit by incorporating postmodernism. For in postmodernism, CRT’s central concepts—“race,” “systemic racism,” “Blackness,” “Whiteness,” “justice,” “equity” “diversity,” “inclusion,” etc.—are just as much power constructions as are rights, free markets, merit, and other liberal values, facts, and truth claims. They too must be deconstructed to reveal cynical masks for power, which would empty CRT’s rhetoric of its moral force.

Fusing Neo-Marxism and Postmodernism

Lindsay takes Kemberlé Crenshaw’s 1991 paper “Mapping the Margins: Intersectionality, Identity Politics, and Violence Against Women of Color” to be a pivotal text in the creation of CRT. As Crenshaw sees it, postmodernism’s assertion that all group identities, values, and cultures are socially constructed—a view called antiessentialism or constructivism—can be useful to critical social justice movements such as CRT. Incorporating postmodernism into CRT enables it to expose and deconstruct hidden systemic racism. But Crenshaw also sees the need for marginalized groups to maintain a strong sense of group identity. She says, “At this point in history, a strong case can be made that the most critical resistance strategy for disempowered groups is to occupy and defend a politics of social location rather than to vacate and destroy it” (“Mapping the Margins,” quoted in Lindsay, p. 139).

The dominant group (white people) intends the categories “black,” “woman,” “queer,” etc. to be negative and disempowering. Crenshaw welcomes the postmodern insight that these labels are pure power constructs with no basis in the essence of the people to whom they are attached. Nevertheless, these categories possess a sort of reality that must be acknowledged. Crenshaw observes, “But to say that a category such as race or gender is socially constructed is not to say that that category has no significance in the world” (“Mapping the Margins,” quoted in Lindsay, p. 137). Identity categories “are imposed, thus made meaningful and real, by systemic power and those who hold and wield it” (“Mapping the Margins,” quoted in Lindsay, pp. 139-40; emphasis original).

In this way, Crenshaw can embrace postmodern constructivism as useful in critiquing the dominant group’s justifications for maintaining its privileges without giving up the reality of marginalized group identities useful in the quest for liberation. There is a huge difference, says Crenshaw, between saying “I am a person who happens to be black” and saying “I am Black.” To say “I am Black” accepts the imposed identity but transforms it into “an anchor of subjectivity…a positive discourse of self-identification’ (“Mapping the Margins,” quoted in Lindsay, p. 138). Think of the way certain gay people have embraced the insult “queer” and turned it into “Queer,” a proud assertion of identity. For Critical Race Theory, Black identity is a “matter of lived experience no one has standing to challenge” (“Mapping the Margins,” quoted in Lindsay, p. 137).

According to Lindsay, Crenshaw’s contribution to CRT was to figure out a way to incorporate the advantages of postmodern constructivism while making the category of race-identity immune from deconstruction. The assertion “I am Black” is irrefutable. Thanks to Crenshaw and others, CRT is Critical and Constructivist, that is, neo-Marxist and postmodern. It can exempt itself from the critique it makes of others. Liberal accusations of racism in CRT or postmodern attempts to deconstruct it will be interpreted as manifestations of systemic racism and white supremacy.